Postmodern Quiet

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A 1968 release of John Cage’s quiet Concerto for Prepared Piano & Orchestra and Lukas Foss’s equally subtle series of orchestral variations in the Baroque mode. Both composers are challenging and known to make audiences disgruntled and uncomfortable (Cage’s 4:33 is, after all, the musical counterpart to Duchamp’s infamous “Fountain”) and both were about as avant-garde as you could be. The Nonesuch wraparound gatefold art sleeve here blends the classical and the abstract in a fitting collage harkening to dadaist pastiche.

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