Moodiness and the sublime duke it out in these Beethoven sonatas. The Appassionata was begun around 1804, and its roiling turbulence crescendoes into emotional fury. Similarly, the Op. 13 “Pathetique”, with a languorous Andante cantabile (used to great effect in the Cohn Brothers’ under-appreciated noir The Man Who Wasn’t There), conjures big “R” Romantic volatility. A storm-tossed cover gets the point across.