Don’t be fooled by half-assed recordings: this pressing makes it very clear that “real cannons are used in the finale”. Commissioned to commemorate Napoleon’s defeat by the Motherland, Tchaikovsky’s 1812 Overture is one big orgasmic burst of patriotism, which is one sure way to get a lot of fans. It’s crammed full of national airs and folk-songs, and even includes a rendition of the Marseillaise before it is quickly blown apart by the fusillade. One Russian composer called it “very loud and noisy and completely without artistic merit”, and that was the opinion of Tchaikovsky himself. For a symphonist and composer of ballets with Tchaikovsky’s sensibilities, the worldwide popularity of his blustering rah-rah overture must have seemed downright insulting.