Important as he was as a composer, Felix Mendelssohn was just as crucial for saving Johann Sebastian from oblivion and for championing contemporary works. He and Robert Schumann, to me, are the fraternal twins of classical composition, and Mendelssohn’s piano trios reflect that bent.
The opus 49 is the more recognizable of the two trios, and is firmly rooted in a classical structure. A full-bodied cello introduces the piece with a nervy piano underlying it. Following that is a sweet lyrical 2nd movement, while the 3rd and 4th movements are, in the vein of classicism, fast and faster.
Mendelssohn was the best lyricist who never wrote lyrics, and melodies abound in these trios with a sweeping loveliness. Performing them here for Philips is the Beaux Arts Trio, and there’s no other musical triumvirate that’s more dependable with the chamber music repertoire. Their Mendelssohn, like their Schumann for the same label, is completely assured and mellifluous, as it should be.