Dvorak’s Sublime Folksong

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Everybody has heard Antonin Dvorak’s “New World” Symphony, most have listened to his bittersweet Cello Concerto, some know of his Violin Concerto and a handful are aware of his bizarrely obscure Piano Concerto (probably by way of Richter and Kleiber on EMI). In all these larger-scale pieces, Dvorak is a melodist’s melodist, layering gorgeous harmony on gorgeous harmony with a contrapuntal precision that can’t be topped.

But in his chamber music, he’s a melody machine. The “American” Quartet, the Dumka Trio,  the piano quartets–each is ravishing in its own way. Nowhere is this more apparent than in the Piano Quintet, opus 81, which is a stunning amalgamation of the composer’s synthesis of Romanticism, classical structure and Slavic tunes.

Themes are explored, transformed, revitalized, diminished and intensified, culminating in a fugato that gathers all the motifs up into a bang-up coda. Dvorak was an alchemist of fusing all the disparate themes from a given work for his grand finales, and it’s no different in this Piano Quintet.

For obvious reasons, five varicolored Eastern European eggs adorn the sleeve. The once much-heralded Fine Arts Quartet (“A study in depth” said one critic after a performance of theirs) pairs with pianist Frank Glazer for a spirited recording on the Concert-Disc label.

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