Richard Addinsell: Warsaw Concert
with encores by Debussy, Schumann, Chopin, Liszt and Beethoven
David Haines, piano / Paris Theatre Orchestra
Addinsell’s Warsaw Concerto was originally composed for the film Dangerous Moonlight about the Nazi occupation of Poland. The producers of the film wanted to use Rachmaninov’s Piano Concerto No. 2 for the score, but for whatever reason decided to hire Addinsell to recreate Rach’s most soaringly Hollywood Romanticism. (He’d done soundtracks for Goodbye, Mr. Chips and the UK version of Gaslight.) The result is one of the earliest of the so-called “tabloid concertos” that would make their way onto many a turntable in the 1950s. Addinsell’s program music is less a “concerto” and more of a background of piecemeal Rachmaninov-isms scattered throughout the movie.
Still, it was one of the most popular film-to-concert hall works ever composed. It can be heard in a slew of love songs from the period, was transcribed for 2 pianos by Percy Grainger, became a staple of Liberace’s repertoire, has been sampled by the rapper DMX on one of his first albums, and serves as frequent accompaniment to Japanese figure-skating championships. Whatever your opinion of the piece, its multi-use versatility can’t be disputed.
David Haines performs the concerto, along with a few favorite encores on this 1958 Somerset recording. The sleeve art is stark: a grasping hand holds a flag while a squad of fighter planes roars overhead in the dusky sky. Cinematic is definitely one quality it shares with the music.