Works for Two Guitars by Diabelli, Giuliani, Carulli
Pepe & Celedeonio Romero, guitars
Philips 9500 352
Say classical guitar to anyone and, in order of appearance, you’ll come up with Andres Segovia, John Williams, Julian Bream, Pepe Romero and some nameless Renaissance madrigals. As far as individual pieces go, Rodrigo’s Guitar Concert (it’s been recorded a lot) has always been a popular go-to, trailed by solo pieces by Villa-Lobos and some Bach transcriptions. What’s less well known are the guitar works by Haydn (a delightful trio), Paganini, von Weber, Elliott Carter, Steve Reich (electric guitars, in this instance) and even Rorem and Takemitsu, among a crowd of others.
On this Philips release, the focus is on works for 2 guitars instead of one, played by the great guitarists Pepe and Celedonio Romero. The album presents duos by Diabelli, Giuliani and Carulli (which sounds like a tailors’ you might stumble on in Sicily). Giuliani’s op. 130 Variations for Two Guitars is a pleasant traversal, while Anton Diabelli’s op. 63 Serenade is as much of a charmer. But it’s the Carulli that stands really stands out.
Not a lot is known about Carulli, except that he moved from Italy to Vienna, and on to Paris in 1808, where he came out with a guitar method that’s still hugely influential. His Serenade, op. 96, begins with an overture that’s spectacularly operatic, in 6/8 time, and continues on in a polished dialog between the two guitars. An impassioned Allegro segues into a Larghetto, and the whole closes with a dance-like movement that sounds a little like a waltz. The two Romeros’ playing is nothing short of awesome: they’re so synched as to be practically indistinguishable from each other.