Tchaikovsky: Violin Concert
Mendelssohn: Violin Concerto
Isaac Stern, violin / Eugene Ormandy, conductor / Philadelphia Orchestra
Columbia MS 6062
At one time or another, Isaac Stern would probably have been the name you thought of when somebody mentioned a violin, while Eugene Ormandy tends to headline, along with Herbert von Karajan, every thrift-store classical record you come across nowadays. (On Discogs, his total discography comes out to 1,097, compared to Karajan’s whopping 1,566 recordings.) Stern and Ormandy played together a lot, as in practically every major concerto for violin and orchestra.
On this Columbia release, they perform two pillars of the violin repertoire: Tchaikovsky’s in D major (1878) and Mendelssohn’s in E minor (completed in 1844). Each is in some way a mirror-image of Romantic and Classical persuasions.
Funny enough, the Tchaikovsky was proclaimed too modern by its dedicatee. It didn’t really find an audience for several performances. Mendelssohn’s concerto, on the other hand, with its soaring orchestral parts and playful/soulful solos, was a smash hit when it debuted; one of the composer’s friends said it rivaled Hamlet for quotable moments.
Stern’s playing is never stern; instead, it’s intimate, especially in the Mendelssohn, where the pacing and vibrato are expansive. His violin is an inhaling and exhaling thing that makes every bowing glide sing. Ormandy’s PO responds with thoroughly voluptuous orchestral coloring.